Foram divulgadas as primeiras imagens promocionais de The Girlfriend Experience, série que tem como base o filme Confissões de Uma Garota de Programa, de 2009. Confira o elenco completo da série: Foram encomendados 13 episódios com 30 minutos de duração cada para a primeira temporada. The Girlfriend Experience explorará a vida e o trabalho de acompanhantes de luxo que oferecem muito mais do que sexo. Não há informação se Sasha Grey, estrela do filme original, participará da série, que será estrelada por Riley Keough. The Girlfriend Experience | Nova série de Steven Soderbergh ganha novas fotos 1 de 9 A atriz vive Christine Reade, estudande de direito na Universidade de Chicago e estagiária em uma firma de advocacia de sucesso. Ela fica intrigada quando uma amiga a introduz ao mundo dos relacionamentos transacionais e acaba se envolvendo no projeto GFE (Girlfriend Experience). Soderbergh e Philip Fleishman são os produtores-executivos junto com Lodge Kerrigan e Amy Seimetz, que assinam o roteiro e a direção do projeto. The Girlfriend Experience estreia nos EUA no primeiro trimestre de 2016, em data a ser definida. Na TV, Soderbergh também produz e dirige The Knick, série médica estrelada por Clive Owen no canal Cinemax.
걸프렌드 익스피어리언스Original title: The Girlfriend Experience
 A drama set in the days leading up to the 2008 Presidential election, and centered on a high-end Manhattan call girl meeting the challenges of her boyfriend, her clients, and her work.A drama set in the days leading up to the 2008 Presidential election, and centered on a high-end Manhattan call girl meeting the challenges of her boyfriend, her clients, and her work.A drama set in the days leading up to the 2008 Presidential election, and centered on a high-end Manhattan call girl meeting the challenges of her boyfriend, her clients, and her work. See production, box office & company info
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Videos1More like thisReview Risks of Borrowed Eyes Soderbergh satisfies because he is fearless in a way that Herzog could never be. Herzog goes toward danger in order to capture experiences, but he relies on cinematic methods and narratives models that are safe. Indeed, he never innovates or experiments here. As a result, we get lush operas about violent nature. Soderbergh on the other hand seems ready to risk his soul, to destroy his career, to make an audience very unhappy if it allows him to surround his art. You never know; you never do. This is structurally less risky than the film he make with and about his wife, 'Schizopolis.' But it is about much the same experience. The risk is only partially in building the character of a hooker around a genuine porn star. It is more in the assumption that close observation of the near-real will snap us into the ultrareal. Who else does this? Who else among successful filmmakers would put themselves on the line like this. Jarman perhaps, if he had been more widely seen. And that is what happens. Because the insights here come not from what is written or what the actors do, but by what we see. The filmmaker is the character that is revealed because we define ourselves by the world we make. And he makes this, by looking for certain things between men and women. The killer risk is that he won't find it, or worse, if he does, he shows us who he really is. The idea is remarkable. The we see through is actually interesting; he makes Sasha an attractive subject and casts his own foibles onto her boyfriend. Ted's Evaluation -- 3 of 3: Worth watching.
FAQ3Related newsContribute to this pageSuggest an edit or add missing content What is the Japanese language plot outline for 걸프렌드 익스피어리언스 (2009)? Answer
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